FRAGMENTATION OF WORLD PERCEPTION AND SYNTAX INNOVATIONS: PARCELATION IN POETRY

Abstract

The article is devoted to the study of syntactic innovations, in particular parcellation, in modern poetic discourse, revealing its role in creating expressiveness, rhythmic tension and reflecting a fragmented worldview. The relevance of the work is due to the need for in-depth study of the dynamic aspects of language, its ability to reproduce complex cognitive processes and aesthetic searches of artists.The study examines the theoretical principles of the functioning of parcellation, based on the works of leading linguists. In particular, it is emphasized that parcellated constructions represent a way of reflecting a fragmented worldview, typical of existential poetry, which testifies to the close connection of syntactic form with deep philosophical and psychological aspects. It is highlighted that parcellation is a powerful tool for actualizing information, contributing to the accentuation of a certain fragment of the message and the intensification of the meaning of non-nuclear components, which expands the information saturation of the sentence. It is shown that connecting constructions, related to parcellation in terms of the actualization function, are used to achieve the effect of sequential, linear stringing and ensuring the combination of structurally autonomous quantities, which contributes to the creation of multilayered and intensively saturated semantic structures.Special attention is paid to the contribution of linguists who distinguished parcellation and connection as different, but complementary syntactic phenomena. It is emphasized that, although parcellation violates syntactic integrity for the sake of expression and drama, connecting constructions help to develop the thought, clarify and detail it, forming a multi-aspect, multi-level information structure of the statement. This allows us to speak about their universal potential in modeling the rhythm and emotional atmosphere of a literary text.The conclusions of the work confirm that parcellation and connecting constructions are key syntactic innovations that play a significant role in the formation of expressiveness, rhythmic tension and the reflection of a fragmented worldview in poetic discourse. Further research into these phenomena is important for deepening the understanding of the relationship between syntactic structure, cognitive processes and the aesthetic function of language in the context of modern linguistics and literary studies. The material of the article can be useful for philologists, literary critics, as well as everyone who is interested in the issues of the functioning of language in a literary text.